This eighth Erast Fandorin mystery returns to turn-of-the-century Moscow, a setting Akunin continues to relate with his immersive command of historical detail, character, dialogue, and storytelling. I continue to enjoy the series as much for its historical slice of life as for its mysteries. The dense prose, interwoven poetry, and brisk pacing sustain the reader's interest as the mystery progresses. Yet another nihilistic suicide club and its serial killer provide familiar material, but Fandorin is less infallible than usual, making mistakes before he finally solves the mystery and saves the day. I recognized many of the clues early and anticipated several revelations, which diminished the detective work’s surprises.
In Moscow, Fandorin operates undercover, unable to enlist the police or state agencies because of the events of the preceding novel. As young people die in a nihilistic suicide club, he must investigate its members, motives, and connections without exposing his identity or relying on his usual institutional resources. His inquiries gradually uncover the truth behind the deaths, testing both his deductive abilities and his capacity to recover from mistakes.
The familiar premise and predictable revelations kept this book from ranking among my favorites in the series, but its pace and period detail compensate. I look forward to the second half of the story in the next installment.
