Class Clown by Dave Barry (2025)

Dave Barry's Class Clown (2025), an autobiography, distills the humorist's decades-long career into a rollicking narrative that echoes the wit of his beloved columns. Known for eliciting laughter across generations, Barry delivers a memoir brimming with his signature irreverence and keen observational humor. The book traces his journey with self-deprecating charm, offering anecdotes that balance absurdity with warmth.

While consistently funny, the autobiography occasionally lacks the depth needed to elevate it beyond entertainment, skimming over introspective moments that could enrich the narrative. Nonetheless, Barry's knack for finding humor in the mundane ensures a delightful read, faithful to the style that has long captivated readers.

Rating: 4/5 stars.

Kill Them With Kindness by Will Carver (2025)

Will Carver's Kill Them with Kindness (2025) reimagines the premise of a virus engineered to promote altruism, reminiscent of David Brin's 1987 short story The Giving Plague. Set against the backdrop of the COVID-19 pandemic, the novel weaves a speculative conspiracy narrative involving global powers and scientific manipulation. The story explores the development of a virus designed to foster kindness and cooperation, while darker forces exploit the ensuing chaos for their own ends. The setting works well because the conspiracy theory provides answers to the unanswered questions of who benefits from the overblown fear and panic world-wide that persists now. None of the preventative care measures had any effect on the spread of covid-19 in humans, and the silly, theatrical, useless prophylaxis measures caused long-lasting, world-wide destruction to society, economics, politics, healthcare, education, etc.

The narrative draws strength from its initial focus on philosophical themes, particularly through characters who embody collectivist ideals, offering a compelling lens on human behavior under crisis. However, the antagonists lack depth, their motivations reduced to simplistic malevolence. The plot, initially engaging, veers into implausible territory with the introduction of exaggerated technological elements, undermining its early promise. The grim resolution feels heavy-handed, failing to fully reconcile the tension between free will and biological determinism.

Compared to Brin's nuanced exploration of symbiosis and agency, Carver's novel ambitiously tackles similar themes but stumbles due to its reliance on far-fetched plot devices and underdeveloped characters. The setting and philosophical undertones captivate, but the execution falls short.

Rating: 2/5 stars.

Energy and Civilization: A History by Vaclav Smil (2017)

Vaclav Smil's Energy and Civilization: A History (2017) offers a rigorous, quantitative lens on humanity's technological and societal evolution through energy use. Smil's paleontological approach—meticulously tracing energy's role across epochs—yields a dense, illuminating narrative. His calculations reveal trends that reframe historical progress, such as energy transitions driving industrial advancements, providing a novel perspective on societal development. For instance, Smil quantifies the energy costs of pre-industrial agriculture versus modern systems, underscoring efficiency leaps often overlooked in traditional histories.

The book's strength lies in its data-driven insights, which spark reflection on civilization's energy dependencies. Smil explores the feasibility of reconstructing modern society from scratch, addressing resource demands and industrial capacities—relevant to speculative scenarios like off-world colonization. Yet, the text falters in its diffuse focus, delving into esoteric details, such as obscure energy metrics, which Smil himself acknowledges as marginally relevant. This lack of editorial restraint burdens the reader with textbook-like density, demanding significant time to parse.

While the book partially satisfies curiosity about bootstrapping civilization, it lacks a cohesive framework for understanding the full scope of necessary expertise and infrastructure. Smil notes wasteful practices but stops short of synthesizing a clear blueprint, leaving readers to piece together implications. Compared to his more accessible works, this volume's complexity may deter non-specialists.

Rating: 3/5

The Lost Legion by Jason Anspach, Nick Cole, & Blaine Pardoe (2024)

The Lost Legion (2024), authored by Jason Anspach, Nick Cole, and Blaine Pardoe, delivers a military science fiction narrative heavily centered on mechanized warfare, which dominates the novel's tactical and technological framework. This focus on mech combat overshadows other elements, potentially alienating readers uninterested in such mechanics. The novel's strength lies in its nuanced portrayal of character psychology, deftly exploring complex pathologies that lend depth to the protagonists. These characters, crafted with care, navigate hero's journey archetypes with skill, rendering their arcs compelling despite a merely satisfactory plot.

However, the antagonists falter significantly. Their motivations, rooted in simplistic malevolence, lack depth and coherence, resulting in caricatured "evil" figures. The dialogue justifying their actions feels contrived, undermining narrative credibility. This flaw weakens the story's interpretive weight, as the conflict lacks a robust ideological or moral foundation.

The book's reliance on mech-driven action may overshadow its psychological insights for some, but the well-executed character development offers redeeming value. Rating: 2/5 stars.

Espedair Street by Ian M Banks (1990)

Iain M. Banks' Espedair Street (1990) delivers a piercing psychological portrait of Daniel "Weird" Weir, a self-effacing, stuttering, introverted songwriter whose prodigious talent catapults him to rock stardom. Unlike Banks' celebrated Culture novels, which explore post-scarcity utopias, this standalone work probes the dissonance between personal identity and public persona. The narrative's strength lies in its unflinching excavation of Weir's psyche—his awkwardness, guilt, and existential drift—rendered through introspective prose that balances raw vulnerability with wry humor.

The novel's tightly woven plot chronicles Weir's rise and retreat from fame, juxtaposing his creative genius against his social alienation. Banks masterfully employs Scottish vernacular, infusing dialogue and setting with cultural authenticity that grounds the story in Glasgow's gritty vibrancy. This linguistic precision not only enriches character interactions but also mirrors the protagonist's struggle to reconcile his roots with his success. Themes of authenticity, ambition, and the corrosive effects of fame resonate, inviting reflection on the cost of artistic transcendence.

While the pacing occasionally falters under dense introspection, the novel's vivid characters and sharp social commentary sustain engagement. Espedair Street offers a compelling meditation on identity and creativity, distinct from Banks' speculative oeuvre yet equally profound. 4/5 stars.

Shroud by Adrian Tchaikovsky (2025)

Shroud (2025) by Adrian Tchaikovsky crafts a first-contact narrative grounded in meticulous world-building, vividly depicting a high-gravity moon's alien ecosystem and humanity's interstellar ambitions. The setting evokes awe through its intricate environmental and technological details, anchoring the novel's speculative scope. However, the narrative, dominated by protracted interpersonal conflicts, falters. The characters, ostensibly intrepid explorers, exhibit excessive emotional volatility—marked by neuroses and trivial rivalries—undermining their credibility. The plot, while initially gripping, grows oppressively bleak, and the resolution, echoing Tchaikovsky's earlier first-contact works, feels formulaic and uninspired. Production quality is adequate, but the novel's predictable trajectory and overwrought drama diminish its impact. 2/5 Stars.

Love, Death & Robots Vol. 1 by various authors (2021)

Love, Death + Robots: Volume 1 (2021), curated by the Netflix series' creators, anthologizes science fiction stories exploring technology's collision with human experience. Standout contributions from Alastair Reynolds, Peter F. Hamilton, and Marko Kloos—many previously published—deliver sophisticated narratives marked by robust world-building and existential depth. These stories interrogate humanity's relationship with artificial intelligence and dystopian futures, offering incisive commentary through tightly crafted plots and vivid characters.

Conversely, newer stories disappoint, suffering from deficient world-building, incoherent plots, disjointed narrative flow, and shallow character development. This disparity fragments the anthology's coherence, diluting its intellectual impact. Exacerbating these flaws, the physical book's production is subpar: off-center typesetting, low-quality paper, and pervasive spelling errors reflect careless editing, undermining the reading experience for discerning readers.

Despite these deficiencies, the anthology's ambitious scope and provocative inquiries into mortality and innovation sustain its value. The stronger stories elevate it as a noteworthy, if uneven, contribution to speculative fiction. I enjoyed the book. 4/5 Stars.

Tales from the Starship Atlantis, various authors (2025)

This anthology of speculative fiction by various authors, probes near-future possibilities through a series of short stories. Despite the book's ambitious premise, its execution falters, delivering narratives that only sporadically engage the intellectually curious reader.

Several stories tantalize with imaginative extrapolations of technological and societal trends, offering glimpses into plausible futures. These moments, grounded in speculative rigor, shine as the collection's strength. However, the anthology's promise is undermined by pervasive flaws: magic systems lack coherence, character motivations appear arbitrary, and relentlessly bleak resolutions sap narrative satisfaction. The inconsistent plotting and underdeveloped storylines further diminish the book's impact, leaving readers yearning for deeper interpretive resonance.

While the anthology's conceptual ambition merits consideration, its uneven craftsmanship limits its appeal. Scholars and professionals seeking provocative ideas may find fleeting inspiration, but the collection's narrative weaknesses hinder sustained engagement. 2/5 stars

Titans of History by Simon Sebag Montefiore (2018)

Titans of History offers a collection of biographical sketches that examine individuals who profoundly shaped their eras' cultural, political, and intellectual landscapes. Montefiore's work implicitly endorses the "great man" theory, attributing historical shifts to the agency of singular figures—rulers, monarchs, artists, and influencers—whose ambitions and flaws reverberate through time. The book balances admiration for their humanist contributions with candid exposure of their darker traits, including megalomania and moral failings.

Notably, Montefiore explores the intense personal drives of these figures, particularly their sexual proclivities, which range from voracious appetites to unconventional expressions. This focus, while intriguing, occasionally overshadows broader ideological currents like humanism or Enlightenment thought, which receive only cursory attention. The book's strength lies in its vivid, concise portraits, though some sketches lack depth, rendering them less compelling.

As a biographical anthology, not a historical treatise, the book prioritizes personality over systemic analysis, limiting its interpretive scope. While engaging, the uneven quality of the sketches yields a mixed experience. 3/5 Stars.

visitors by Orson Scott Card (2015)

Visitors, the final volume of Orson Scott Card's Pathfinder trilogy, delivers a fast-paced, action-driven narrative that engages yet ultimately falls short of the first two volumes. Centered on Rigg and Umbo's time-shifting abilities, the novel prominently features the expendables—AI caretakers whose agency shapes ethical and temporal dilemmas in the colony world of Garden. These sentient machines raise compelling questions about autonomy and responsibility. However, an overcrowded cast, convoluted plot twists, and a magic system stretched to resolve conflicts too conveniently undermine the narrative.

The exploration of free will versus determinism, debated through the protagonists' manipulation of history, invites intellectual reflection. Yet, the didactic tone, marked by excessive ethical banter, weakens philosophical depth. Param's relegation to a secondary role diminishes the ensemble dynamic established in prior volumes. The resolution, though emotionally resonant, feels overly tidy, lacking the ambiguity suited to complex time-travel narratives.

"Visitors" offers thematic ambition but falters in coherence and nuance. Its strengths—action, ethical questions, and the expendables' pivotal role, make the book engaging. The resolution of the mysterious future disaster the characters are all trying to avoid is unsatisfying. And the treacly sweet falling action at the end is bad. 3/5 Stars.